Westeros

Last night (for us here in Sweden, in any case), Deadline added to our knowledge of the projects HBO is actively considering as part of a greater Game of Thrones-universe of successor shows. This appears to bring the total of shows in development to five or six, from what we’ve been told, including work on The Tales of Dunk and Egg, an unspecified animated project, a possible Robert’s Rebellion show (which we still think may be the A Song of Ice and Fire project mentioned by Vince Gerardis’s Startling Inc. website) and the three that follow:

• 9 Voyages, or The Sea Snake, in development with Rome-creator Bruno Heller, which would presumably be predominantly an adventurous series focused on the young Corlys Velaryon’s famous sea voyages.
• 10,000 Ships, about the flight of the Rhoynar from Essos and their long journey under the leadership of Princess Nymeria. No writers currently attached.
• Flea Bottom, about the notorious district in King’s Landing. No writers currently attached.

A legendary ice dragon in the Shivering Sea. Corlys Velaryon is never claimed to have seen one on his own attempt to sail as far north as men can, but other sailors have.

It’s one of those days again, it seems. Shortly after we shared news on the status of the Wild Cards TV adaptation, George R.R. Martin posted his own update. The first was an item we had forgotten to post an update about, namely that just after we revealed that Sandkings was in development at Netflix, by sheer coincidence Collider had learned in an interview that director Gore Verbinski (Rango, Pirates of the Caribbean) was set to direct it, with screenwriter Dennis Kelly (Utopia) writing the script for the high-budget film adaptation of the famous, award-winning science fiction horror story.

George goes on to fill in some details on some other projects, some of which touch on things we recently revealed.

Screenshot from the 1995 Outer Limits adaptation of “Sandkings”. The “castle” features the face of Dr. Simon Kress, played by Beau Bridges in the episode.

About two weeks ago, we were the first to report that the long-gestating Wild Cards TV adaptation, originally set for Hulu, had moved to NBCUniversal’s Peacock. Now The Hollywood Reporter has filled in the blanks, providing details of what Hulu did with the project, why it moved from Hulu to Peacock, and what its current status is since the lead writer has moved on, and a new writer is currently being searched for.

Some salient quotes below:

Cover art by Brian Bolland for a re-release of the first edition.

Is A Song of Ice and Fire in development at someone not named HBO? Strangely, that may be the case from something we uncovered following yesterday’s post on some recent development updates.

This led us to some digging and and we discovered that Vince Gerardis’s new company Startling Inc. has an official website with a long, long list of various literary works that are in development at various studios, networks, and production companies. As an science fiction and fantasy fan, a lot of the titles are familiar—works by Robert Silverberg, David Eddings, Kim Stanley Robinsion, Larry Niven, Greg Bear, and more are all represented. But Three of these are of special interest to fans of George R.R. Martin: Wild Cards, Sandkings, and something titled A Song of Ice and Fire without HBO explicitly linked to it.

A fan-made ASoIaF logo from artist Ertaç Altınöz

UPDATE on March 4, 2021: George R.R. Martin has posted about the development of In the Lost Lands.

“Some recent piece of development news regarding George R.R. Martin has slipped out the last couple of days. First, GRRM and Kalinda Vazquez are set to develop Roger Zelazny’s novel Roadmark for HBO. A science fiction/fantasy blend, the basic concept is of a mysterious, endless road that travereses time, space, and alternate realities that travelers can use to explore and even try to change the past, present, and future.

Martin has posted about it at his “Not a Blog”, noting that it was one of five pitches he made to HBO as part of his overall development deal with them, all of them based on notable works of science fiction and fantasy that he believed could work well adapted. Vince Gerardis, who helped package Game of Thrones, will also have a co-executive credit.

To simplify the website going forward, Linda and I have been working on folding the GoT sub-section of the site into the general Westeros site. This was in part due to the fact that with the prospect of not one but several spin-offs, it felt like it’d be confusing to create sub-sections for each of them.

So far, the old GoT News, Features, and Gallery sections are now part of the general Westeros site. Old inks to those GoT pages should redirect correctly to their new locations. The Episode and Character Guides are presently inaccessible until we move those over as well.

During the regular TCA presentations, where various networks and studios present themselves, performers, and new shows to the Television Critic Association, Casey Bloys had a number of things to say about Game of Thrones prequels and projects. Deadline has a detailed report, and The Hollywood Reporter has an interview with Bloys that touches on it as well.

The main takeaway—beyond the more concrete reveal that House of the Dragon is going into production in April—is that while reports of prequels being explored in live and animated form, it’s still very much up in the air. Though Bloys suggests that “zero” of these shows going forward would be the “wrong number”, it’ll be a matter of finding stories worth telling (and, one hopes, worth telling well!) that determines how many of these shows will go ahead.

HBO has announced a number of additional castings for House of the Dragon, which is set to begin filming this April. Deadline has a good report with details based on HBO’s official press release, but we’ll summarize here:

• Rhys Ifans as Otto Hightower, Hand of the King
• Steve Touissant as Corlys Velaryon, Lord of the Tides
• Eve Best as Rhaenys Targaryen
• Sonoya Mizuno as Mysaria

In a brief post at “Not a Blog”, George R.R. Martin shares some thoughts on the previous year. A dark time, as he notes, with the global pandemic, and the loss of a number of friends such as Susan Ellison, Kay McCauley, Ben Bova, and Phyllis Eisenstein, while other friends are in poor health. Still, he is hopeful for the future, especially as one of the more positive developments last year was the best writing streak he’s ever had on The Winds of Winter.

In his own words:

Via our friends at Los Siete Reinos, we’ve learned that an on-line resume, posted by his representatives at the Gorfaine/Schwartz Agency, shows that award-winning Game of Thrones and Westworld composer Ramin Djawadi is returning to Westeros to compose the soundtrack of the forthcoming House of the Dragon.

Following on recent news that HBO is taking pitches for prequels to Game of Thrones, The Hollywood Reporter has now revealed that another aspect of the process of turning Game of Thrones to new material is exploring creating an “adult-leaning” animated series. Per the article:

Funnily enough, we brought up the possibility—or likelihood, really—that HBO and HBO Max would be looking to expand the world into different forms beyond just a standard hour-long, multi-episode series, much as Disney and Paramount have done with Star Wars, Marvel, and Star Trek. In fact, the THR report notes that HBO was looking in this direction long before Disney announced its massive expansion of Star Wars series.

Back in November, we mentioned that House of the Dragon exective producer,  show runner, and lead writer Ryan Condal was co-hosting a podcast about film and television props with director and producer David Mandel. We’ve been keeping an eye on The Stuff Dreams Are Made Of since then, in large part because it’s genuinely interesting listening for those who share a similar interest in movie history (especially as Mandel and Condal also share a love of many of the same iconic late 70’s-80’s films—Aliens, Star Wars, Blade Runner, etc.—that we do).

Big news out of Hollywood today, as Variety first revealed that HBO is in early development on adapting the Dunk & Egg novellas (collected in A Knight of the Seven Kingdoms [affiliate link]) to the screen:

This was followed up half an hour later by EW’s James Hibberd (author of Fire Cannot Kill a Dragon [affiliate link]) reporting that it goes beyond Dunk & Egg:

A few days ago, Random House and George R.R. Martin revealed the A Song of Ice and Fire 2022 Calendar (affiliate link), which will be illustrated—and gloriously so, by the looks of it—by Spanish artist Arantza Sestayo. As has become a tradition with these calendars, it will feature 12 paintings for each month, plus a bonus, double-page image to make 13 in total.

The calendar will be published on July 27th, but pre-orders are now available

HBO Max has released a look forward for the next year—a tradition HBO has been doing for many years—and decided to go a step further by hinting at things to come in 2022. Specifically, at the end of the video below, a dragon appears, breathes fire, and reveals what seems likely to be the logo for House of the Dragon (the three-headed dragon, of course, wreathed in flames):

This is not at all a surprise, as back in September HBO executives revealed that the show was being targeted for 2022. It’s interesting to see HBO Max using its arrival as the big hook for the final moment of its promotional video, however, showing that the company is puting a great deal of weight on it being a big draw to their platform.